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Routledge Research in European Public Po Economic Citizenship in the European Union: Employment Relations in the New Europe (Hardcover)
This book explores the macro-economic productive and institutional pressures faced by Europe s social model and assesses a number of economic and political programmes aimed at resolving the crisis .
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The beginners guide to To the history of US presidents (Paperback)
This book is a easy way to learn about all the US presidents in a little short history on every US president This book is a easy way for kids and teens to learn all about the US presidents and for adults to brush up on the
California Series in Public Anthropology: Pathologies of Power : Health Human Rights and the New War on the Poor (Series #4) (Edition 1) (Hardcover)
Pathologies of Power: Health Human Rights and the New War on the Poor
Pre-Owned Antitheatricality and the Body Public (Hardcover 9780812248739) by Lisa A Freeman
9780812248739. Pre-Owned: Good condition. Hard cover. Language: English. Pages: 376. Sewn binding. Paper over boards. With dust jacket. 376 p. Contains: Unspecified Illustrations black & white. Haney Foundation. Situating the theater as a site of broad cultural movements and conflicts Lisa A. Freeman asserts that antitheatrical incidents from the English Renaissance to present-day America provide us with occasions to trace major struggles over the nature and balance of power and political authority. In studies of William Prynne s Histrio-mastix (1633) Jeremy Collier s A Short View of the Immorality and Profaneness of the English Stage (1698) John Home s Douglas (1757) the burning of the theater at Richmond (1811) and the U.S. Supreme Court s decision in National Endowment for the Arts v. Finley (1998) Freeman engages in a careful examination of the political religious philosophical literary and dramatic contexts in which challenges to theatricality unfold. In so doing she demonstrates that however differently the public might be defined in each epoch what lies at the heart of antitheatrical disputes is a struggle over the character of the body politic that governs a nation and the bodies public that could be said to represent that nation. By situating antitheatrical incidents as rich and interpretable cultural performances Freeman seeks to account fully for the significance of these particular historical conflicts. She delineates when why and how anxieties about representation manifest themselves and traces the actual politics that govern such ostensibly aesthetic and moral debates even today.
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